Pawan Kalyan Returns To Hyderabad !!
Powerstar Pawan Kalyan will be returning
to Hyderabad today after spending more than 13 days holiday trip
in Europe He went to Europe on a holiday package and had relaxed
there with shopping and sightseeing .
Pawan Kalyan who has worked non-stop for
his films right from ‘Panjaa, Gabbar Singh’ and more recently ‘CGR’,
decided to have a break for holiday. He flew to Europe on Monday 15 OCT
to take a break for enjoyment.
Now, Pawan will join the launch of
Trivikram film and also participate in shoot. Samantha in lead role the
movie is coming with huge expectations as Pawan is riding high with back
to back hits.
Cameraman Ganga Tho Rambabu 5th Day AP Shares
Rambabu
(Pawan Kalyan) is a mechanic and a hot-blooded angry young man who
doesn’t tolerate injustice happening to the people around. Cameraman
Ganga (Tamanna) works as a cameraman for a TV channel and she notices
Rambabu’s intensity and recommends him as a reporter to her TV channel.
Rambabu joins as a reporter and starts cracking whip on the opposition
leader (Kota) and his son (Prakash Raj). It becomes a war between
Rambabu and opposition’s CM candidate (Prakash Raj). The rest of the
story is all about how Rambabu exposes CM candidate.
Pawan Kalyan:
Pawan Kalyan is known as a guy who responds to atrocities happening
around him. His character in this film is an identifiable to Pawan
Kalyan at a personal level. One can see superb intensity when Pawan
talks about social responsibility and the injustice around us. There is
energy and magnetism flowing all the intense scenes. Pawan Kalyan has
given extraordinary performance. However, he has put on a bit of weight
compared to Gabbar Singh time. 
Others:
Tamanna has done a tom-boyish role. She is okay. Gabriela who has done
the second heroine role is not effective. It’s a cake walk for both Kota
Srinivasa Rao and Prakash Raj. Prakash Raj entertains again with his
minute expressions combined with smart comic timing (example is interval
fight). Ali and Brahmanandam characters are used to show how Indian TV
channels spice up a normal happening into a comically emotional issue.
MS Narayana is very good in the role of Pawan Kalyan’s adopted uncle. 
Story - screenplay - direction:
Puri Jagan has gone away from a regular masala films a couple of years
back and is concentrating on issue based films. The story of the film is
about the anger of a common-man against the political system. He has
also shown how TV channels manipulate and doctor the news in such a way
that it becomes more of an entertainment program than a a proper
news-reading. I remember Puri Jagan creating satires on TV media for the
first time with Asha Saini character in 143 film. Now he has made a
full-length movie and provided satires on TV media without hurting them.
Puri Jagan’s strength has always been the characterization and
dialogues. If he gets performers who own these characters and take it
further, it helps the commercial result of the movie. Pawan Kalyan is
one such rare actor in Telugu cinema who behaves like a wounded tiger
for such characters and creates empathy from audiences. Direction is
good in intense scenes.
Other departments: Dialogues
by Puri Jagan is a huge asset. There is no vulgarity in dialogue and
they are intense/entertaining and deeply philosophical at times.
Background music by Mani Sharma is good. But we expect better songs from
a man of his calibre. My favorites are melikal followed by
extraordinary from the picturization point of view. Cinematography is
Sam K Naidu is good. Editing by new guy SR Sekhar is nice. Fights
composed by Vijay are power-packed. Art direction by Chinna is
appropriate.
First
half of the film is alright. The second half is explosive. It’s a
completely clean film from Puri Jagan. There are four best scenes in the
film (1. Pawan Kalyan - Prakash Raj confrontation which waters down the
entire movement 2. Philosophy of how men make ordinary women
extraordinary 3. News room scene where Brahmi makes masala out of
straight news items. 4. Pawan Kalyan’s call to people in the pre-climax
episode) do stand out. Strengths of the film are Pawan Kalyan’s
explosive performance and Puri Jagan’s superb
characterization/dialogues. On the flip side, the holistic approach and
strong villain characterization is missing in the film. There is enough
fire power in the movie to make it commercially work. You may watch it
for the Puri Jagan’s version of angry young man Pawan Kalyan. 
